Description Oil on canvas. 40 by 30. March, 2011.In this painting I wanted to render an extreme first-person point of viewin which we see the dim zone around a persons actual visual field. The person in question is the Alan Turing character in my novel The Turing Chronicles. He has become a mutant known as a skugger, and he has the ability to stretch his limbs like the cartoon character Plastic Man. He is traveling across the West with two friends, a man and a woman. In this scene, Turings cohort is being attacked by secret police, one of whom bears a flame-thrower. Turing is responding by sticking his fingers into their heads, perhaps to kill them, or perhaps to convert them into skuggers as well. We can see Turings arms extending from the bottom edge of his visual field. Even though its not quite logical, I painted in his eyes as well because they make the comnposition better.
Rudy Rucker, Los Gatos, California Member Since February 2007 Artist StatementRudy Rucker is a well-known science-fiction writer who enjoys painting surreal Pop SF scenes that are often related to incidents in his books. His favorite artists include Bruegel, Hieronymus Bosch, Rene Magritte, Wayne Thiebaud, R. Crumb and Carl Barks.
Born in Kentucky in 1946, he studied mathematics, earning a Ph. D. in the theory of infinite sets. He worked first as mathematics professor, then as a computer science professor, coming to rest in Silicon Valley, where he now paints, photographs, and writes novels full time.
Rucker has published over 30 books, mostly speculative fiction. A founder of the cyberpunk school of literature, Rucker also writes in a realistic/fantastic style known as transrealism. Rucker took up painting in 1999 while doing research for his historical novel about the life of Peter Bruegel, As Above, So Below. He often paints pictures as a way of imagining the worlds of his novels such as The Hacker and Ants, The Hollow Earth, Frek and the Elixir and Mathematicians in Love. and Postsingular.