Style1½ inches thick (3.75 cm) Product Details Artist grade canvas, archival inks, wooden stretcher bars, and UVB protective coating
AvailablityUsually ships within five business days. ArtistTom JelenPlatinum Member CollectionPanoramic
DescriptionYou'll take a step back in time when you walk, hike, bike, snowshoe, or cross-country ski the carriage roads of Mount Desert Island. Or go by horse and carriage, the way John D. Rockefeller, Jr. intended when he built the 45 miles of crushed stone roads between 1913 and 1940. No matter how you experience the carriage roads, you'll enjoy the magnificent beauty that surrounds them.Though sometimes called carriage trails, the word trail is truly a misnomer. The roads are 16 feet wide with generous crowns that keep them well drained. Considered the best example of broken stone roads in the United States, they are, indeed, an engineering wonder.Local workers quarried granite right here on the island to build the intricate network of roads and 17 spectacular stone bridges. In fact, the stone cutters developed such skill that Rockefeller asked them to create a more rustic look. He also took care to preserve trees and to landscape with native plantsferns, sheep laurel, and blueberry bushesso the roads blend naturally with their surroundings.The well-marked roads wander through Acadia National Park, covering long, shady stretches of woodland, skirting peaceful lakes and ponds, circling mountain elevations, and showcasing breathtaking views of the Atlantic and nearby islands.More than 60 years ago Rockefeller donated 11,000 acres to Acadia National Park, complete with the road system he planned, funded, and constructed. Today both Mainers and visitors enjoy the quiet beauty of Acadia's beautiful carriage roads.
Tom Jelen, Village of Lakewood Member Since March 2010 Artist Statement Born 1951 on the northwest side of Chicago. My father and his two brothers were printers for Donnelly and Sons, formerly known as The Lakeside Press. The company was known for its rotogravure, typeset , litho and large offset printing publications, e.g., Look, Life, and National Geographic. We had our own dark room/lab at home, and I processed and printed my own film at an early age. My father also shot a good deal of Kodachrome; consequently, so did I. I started with a 120 roll film camera and still shoot roll film today with two 6x17cm cameras and a 6x12cm rotating lens camera. I also shoot digital, often side by side, and digitize all my film with an Imacon. I am currently represented by Panoramic Images of Evanston, Illinois, U. S. A.
I am also well traveled and would like to keep traveling for as long as I can.
Member American Society of Media Photographers, Inc -
International VR Photography Association -
International Association of Panoramic Photographers