DescriptionThe 'window' of this cliff dwelling (ruin) was actually a door!! The Anasazi ('ancient ones') constructed two rooms in this narrow cliff alcove and used a toe-trail (literally a series of depressions in the rock used to gain traction) to climb to the mesa top (shown in this photograph) and the canyon. A toe-trail security feature is the necessity to start using the correct hand/foot combination, otherwise there will be a point from which it is impossible to proceed.The two rooms here are what seems to be a round wall, possibly a kiva ruin, on the left and a single story building, on the right, being the single wall with an opening for access. They probably blocked the opening in cold weather to conserve heat.It is possible this site had a special use and was occupied for a limited period of time each season/year. Cliff dwelling alcoves include a seep spring, a seam in the rock through which a small amount of water flowed. Imagine the difficulty of hauling water every day if there was not a water source in the alcove. The large juniper attests to a water source, since it grows from a shared crevice The protective alcove was deeper in the past. The desert varnish (the dark marking) above the alcove marks a place were water seeps from the cliff and, in cold weather, expands under the overlying rock, causing it to fall. Can you see where the cliff face has fallen above the ruin? The lack of desert varnish show the rock fall was relatively recent.
Michael Stephen Wills, Ithaca, New York Member Since February 2008 Artist Statement 50% of my profits on selected photographs are donated to the Fight Against Cancer. Selected prints are available throughout my galleries and identified in the print description.
My photographic style centers on the use of natural light to visualize emotion and evoke memory. The evolution of my style began early in the year 2002, with an imperative to capture personal and fleeting memories.
My son and I traveled to New York City, to view the first Saint Patrick's Day parade after September 11, 2001. My work from that parade was so successful and satisfying (see "New York Fire Department, Saint Patrick's Day 2002") I just never stopped.
In the years since, I have discovered creation techniques similar to an artist painting on canvas. For example: view my Fine Art print "Cochise Dawn". It is from a 64 megapixel image. This means the closer you gaze, the more detail and surprises are revealed.
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