Description Barack Obama is certainly an intriguing political figure! I have never been compelled to draw a politician before, but something about Barack drew me to it. I sold this drawing to an individual in Australia of all places! I believe that speaks to the global interest in Obama.I believe this portrait really captures Obama's personality, even though I never met the guy!It seems like he is getting a tough rap in the press these days and it is hard to figure out the fact from the spin. Regardless, he is better than John McCain at this point, so he has my vote. If you like John McCain, buy a print anyway! Use it as a dart board or something.
Noel Hefele, Philadelphia Member Since January 2008 Artist Statement Through my painting, I investigate relationships.
Our personal experiences are inseparable from the physical and social environments we find ourselves in. Our actions unavoidably affect and shape our surroundings: there is a narrative of value in this. We have come to a point where these effects cannot be ignored. In urban places, invasive species, watershed and storm water issues, barren brownfields of post-industrial waste, as well as barren, cold, improperly considered inter-personal relationships, are all very real concerns of citizens caught up in the remnant realities of an industrial culture. Our relationships to each other, nature and society are ultimately shaped locally.
There is a dawning global conversation about our relationships amongst ourselves and our responsibilities to the natural world. As an artist and painter, I want to find ways to participate in that dialogue.
I learned how to work, study and practice art in Pittsburgh, Pennsylvania. Since I left there, I have been looking for an artistic and academic community.
I investigate relationships through a practice of looking, caring, and painting. I believe that this can help weave visual narratives that clarify complex issues and contribute to the dialogues between people, culture, place and nature. I want to focus on the role of images in constructing shared values as related to the rapidly changing and paradoxical eco-social landscape. Can painting act as a catalyst to start conversations and develop and spread knowledge? In our dominant social context, how do I, as an artist, deal with ethical issues in my work? Can I develop a language of aesthetics that supports these ethical explorations? These are some of the questions I've been asking myself.