Description Sid Wilson's funeral was held 18 months after the stew pot shot. He had a long time interest in horse drawn vehicles. This is his shed where he built wagons and stagecoaches for films. He entered the movie business as a stunt man for 'Bronco Billy' Anderson in the years before World War 1.Sid drove the last stagecoach into Tombstone in 1907, and over 50 years later was scheduled to ride a team of horses in the frenzied land rush sequence in Anthony Mann's 1960 Western 'Cimarron.' Mann took one look at him and vetoed the ride. Sid was a sprightly 80 at the time. He outlived the 26 years younger Mann by 24 years. Sid made it to 102.@2009 David Lee Guss Funeral, Sid Wilson, work shed, Pick 'Em Up Ranch, Tombstone, Arizona, 1981
David Lee Guss, Caaa Grande, Arizona Member Since November 2009 Artist Statement I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence.
But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded and ran for four years the first film society on campus. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final class days before his death.
I still consider myself an amateur photographer as almost all my work displayed here has been self assignments. After graduating from an announcing school in Minneapolis in 1964 I began employment as a news anchorman/booth announcer/writer/still photographer, at the now defunct KXAB TV in Aberdeen, South Dakota, without having taken a journalism course or ever have taken a photograph. I bluffed my way into the job. Being essentially my own boss of a one man news team, I could repeatedly blunder and bury my numerous mistakes. There I began my thematic, photo essays as stories for broadcast in black and white slide form. I found photography much more rewarding than being a media celebrity.
After an abortive try at the Peace Corps I landed at KVOA TV in Tucson, Arizona in April 1967 as a news editor/cinematographer. I continued with the photo essays now shot on negative film, and printed/ rephotographed with 16mm film. My only on air appearances were when I did "stand-uppers" or interviews.
Since then I have spent decades as a teacher of arts related subjects (acting, film making/history, creative writing, art history, literature and photography, English, etc. in various community colleges, universities and prison facilities in Arizona.
My images, with the captions and descriptions, speak for themselves. I am presently building a website (vanishingamericanwest.com) which will feature my photo essays and short films.
My photo essays are in numerous archives/museums in the US and Europe. I am the only living photographer who has his own archive at the University of Arizona Special Collections Library: http://aao.lib.asu.edu/ViewRecordFrame.jsp?record=0000001158
My prize winning short films/videos have been screened at festivals in Australia, Finland, France, Germany, Japan. Malta and Spain; and on many US cable systems.
Since 1994 I have lived in an adobe house in Casa Grande, Arizona.