Description As with Steichen and Eisenstaedt, Bravo (1902-2002) had a long life. He was in the vanguard of the Mexican art scene. He was influenced by the surrealists as was Cartier-Bresson in his earliest photographs.In this photo the abandoned railroad cars are inhabited by squatters. While Naco is not as hot as Tucson or Phoenix, Arizona, the summer desert heat and winter cold must make for wretched living conditions. But it beats living in cardboard shelters. I wonder where they get the water to do their laundry?NOTE: An archival, limited edition, signed, matte C-print can be purchased at my eBay gallery store-stores.ebay.com/David-Lee-Guss-rare-photos-gallery__W0QQ_...@2009 David Lee Guss Homage, children, squatters, RR yard, Naco, Sonora, Mexico, 1982
David Lee Guss, Caaa Grande, Arizona Member Since November 2009 Artist Statement I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence.
But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded and ran for four years the first film society on campus. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final class days before his death.
I still consider myself an amateur photographer as almost all my work displayed here has been self assignments. After graduating from an announcing school in Minneapolis in 1964 I began employment as a news anchorman/booth announcer/writer/still photographer, at the now defunct KXAB TV in Aberdeen, South Dakota, without having taken a journalism course or ever have taken a photograph. I bluffed my way into the job. Being essentially my own boss of a one man news team, I could repeatedly blunder and bury my numerous mistakes. There I began my thematic, photo essays as stories for broadcast in black and white slide form. I found photography much more rewarding than being a media celebrity.
After an abortive try at the Peace Corps I landed at KVOA TV in Tucson, Arizona in April 1967 as a news editor/cinematographer. I continued with the photo essays now shot on negative film, and printed/ rephotographed with 16mm film. My only on air appearances were when I did "stand-uppers" or interviews.
Since then I have spent decades as a teacher of arts related subjects (acting, film making/history, creative writing, art history, literature and photography, English, etc. in various community colleges, universities and prison facilities in Arizona.
My images, with the captions and descriptions, speak for themselves. I am presently building a website (vanishingamericanwest.com) which will feature my photo essays and short films.
My photo essays are in numerous archives/museums in the US and Europe. I am the only living photographer who has his own archive at the University of Arizona Special Collections Library: http://aao.lib.asu.edu/ViewRecordFrame.jsp?record=0000001158
My prize winning short films/videos have been screened at festivals in Australia, Finland, France, Germany, Japan. Malta and Spain; and on many US cable systems.
Since 1994 I have lived in an adobe house in Casa Grande, Arizona.