Style1½ inches thick (3.75 cm) Product Details Artist grade canvas, archival inks, wooden stretcher bars, and UVB protective coating
AvailablityUsually ships within five business days. ArtistEric Brown CollectionMirovia
Description They say the Himalayas have reached the moon. They say the moons skewered on the tip of Everest, marshmallow-on-a-stick-style. For all I know, this may be true. We havent seen the moon since hell and the hills broke loose. Some others say the world is actually smaller these days, that the mountain peaks arent rising ever higher but are staying just where they were and its the flatlands that are falling away, sinking down toward the center of the earth, melting and releasing Jottie along the way. I dont know. People talk a lot of shit when their world comes apart.
Eric Brown, Sherrill, NY Member Since November 2011 Artist Statement People often tell me that my work depicts the imaginary. I guess what they mean is that I don’t paint the real world – you know, still-lifes, landscapes, portraits. But I don't see it that way. The world is insane. Insane and horrific. And undeniably beautiful.
All of my work deals with this truth. I don’t replicate the mundane because for me, the mundane is the fiction. The fruit in that bowl – it was born in the decaying flesh of a thousand creatures that once clung desperately to life. And even now, the fruit plays host to a horde of maggots, writhing just beneath the surface. To paint it any other way is to tell a lie.
That landscape – it was forged of the cast off detritus of a billion dying stars, forged through mind numbingly complex geological processes that spanned eons. That rock in the foreground, the one casting the pleasing shadow upon the grass, it was once part of a great ridge bisecting the continent of Pangaea, a ridge in whose shadow behemoths prowled some two hundred million years before man took his first clumsy step.
And that portrait – just thirty layers of dead skin encasing an organism created through an imperfect reproductive process resulting in no fewer than sixty unexpected mutations, any of which might result in horrific disfigurement, or abilities that far surpass anything that could be called human. Does the portrait capture the being's fathomless ability for kindness? Or cruelty?