Josie Taglienti

Creating works on paper is about silent words that flow in and out; a feeling.
Communication with the paper begins. The paper resists.
I scribble on it until it responds. The story begins.I do not have a clue
about its direction. When it begins to speak I can only
follow its guidance. Often, the piece needs space apart from me, therefore, I work on several at the same time.
When one calls back, I respond. I have to be listening with my eyes.

Egyptian papyrus and Japanese paper as
ground is a lovely addiction; emotional sustenance.
For mindless drawing, I ...

Creating works on paper is about silent words that flow in and out; a feeling.
Communication with the paper begins. The paper resists.
I scribble on it until it responds. The story begins.I do not have a clue
about its direction. When it begins to speak I can only
follow its guidance. Often, the piece needs space apart from me, therefore, I work on several at the same time.
When one calls back, I respond. I have to be listening with my eyes.

Egyptian papyrus and Japanese paper as
ground is a lovely addiction; emotional sustenance.
For mindless drawing, I love digital (mouse ) drawing in primitive paint .

TAGLIENTI, JOSIE I VITAE

Taglienti's academic training in drawing and painting provides a basis for her thought process. She is a descendant of the 16 century scribe and master calligrapher, Giovannantonio Tagliente. Taglienti has exhibited internationally with work in private and corporate collections. One woman shows: Mexico, Chicago, Santa Fe, Phoenix, Scottsdale. Recent Group shows: 2007 Florence Biennale, 2009 Chianciano Terme, Tuscany, Italy; Museo d'Arte, 2010 Telaviv- Jaffa museum of Antiquities, 2013 Chianciano Terme,Tuscany,Italy.
Josephine Marlene Tagliente, is listed in Marquis Who's Who: Of American Women, Who's Who: In America, Who's Who: In World and Dictionary of International Biography, 25th edition.

www.fineartregistry.com/portfolio/taglienti

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http://wdydwyd.ning.com/profile/joyfulsun

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