Description Acrylic on canvas, 18' x 24', November, 2007.
I got into an en plein air thing again in the sunny winter of 2007. I wore a paint stained overcoat and wedged my paints into a knapsack and strapped a canvas to that. It was great to be all covered in paint clothes with a knapsack. I looked like a bum. People looked askance.
On a ridge in the Castle Rock park above Los Gatos and Saratoga I found some trees that were completely covered with fronds of moss. The sun was going down in the west over the Pacific Ocean, edging the mossy trees with brilliant yellow-green. The trees a little like a womans legs, too, very fertile. To pep up the picture, I added an eye. I like to wrap my paintings around, painting on the edges so I dont have to frame them. I put another eye on the left edge, though you cant see it in this image.
It was beautiful here. I was thinking of a drawing by Hieronymus Bosch were he sketches an eye on the ground and an ear on a tree.
Rudy Rucker, Los Gatos, California Member Since February 2007 Artist StatementRudy Rucker is a well-known science-fiction writer who enjoys painting surreal Pop SF scenes that are often related to incidents in his books. His favorite artists include Bruegel, Hieronymus Bosch, Rene Magritte, Wayne Thiebaud, R. Crumb and Carl Barks.
Born in Kentucky in 1946, he studied mathematics, earning a Ph. D. in the theory of infinite sets. He worked first as mathematics professor, then as a computer science professor, coming to rest in Silicon Valley, where he now paints, photographs, and writes novels full time.
Rucker has published over 30 books, mostly speculative fiction. A founder of the cyberpunk school of literature, Rucker also writes in a realistic/fantastic style known as transrealism. Rucker took up painting in 1999 while doing research for his historical novel about the life of Peter Bruegel, As Above, So Below. He often paints pictures as a way of imagining the worlds of his novels such as The Hacker and Ants, The Hollow Earth, Frek and the Elixir and Mathematicians in Love. and Postsingular.