Description A tribute to Simon Wiesenthal and his book by the same title; a story about an incident that occurred during his imprisonment in a Nazi concentration camp. On his way to clean medical waste at a converted army hospital for wounded German soldiers he observes, 'Our column suddenly came to a halt at a crossroads. I could see nothing that might be holding us up but I noticed on the left of the street there was a military cemetery . . . and on each grave there was planted a sunflower . . . I stared spellbound . . . Suddenly I envied the dead soldiers. Each had a sunflower to connect him with the living world, and butterflies to visit his grave. For me there would be no sunflower. I would be buried in a mass grave, where corpses would be piled on top of me. No sunflower would ever bring light into my darkness, and no butterflies would dance above my dreadful tomb.'This profoundly powerful account portrays the internal conflict Wiesenthal experiences when a dying Nazi soldier earnestly seeks his forgiveness, The Sunflower provokes introspective discussion about forgiveness, justice, mercy, and human responsibility. Because hes a Jew, a nurse escorts Simon to the bedside of a dying Nazi solider. The soldier recounts his involvement in the horrifying death of a father, a mother, and a dark-eyed child who are brutally shot down after jumping out of a burning building. The soldier begs for the forgiveness of a Jew. The irony of this dying soldier's confession arises from the fact that 'a murderer who did not want to be a murderer but who had been made into a murderer by his murderous ideology' was admitting his crime to a man that may die by the hands of these same murderers at any time. Struggling through this tragic and ironic dilemma while thinking of the dark eyed child that he knew, Simon leaves the soldier in complete silence. Leaving the hospital he sees the sunflower growing beside the grave of a Nazi soldier.
I.M. Spadecaller, Clearwater Member Since March 2010 Artist Statement Welcome to Spadecaller's Galleries. All the art in my galleries are original creations. Gallery prints and canvases are fulfilled by Imagekind. If you have questions please contact Imagekind; however if you have any concerns, please contact me as well. I can look into matters myself to get answers for you. I want to make sure your experience purchasing my art prints will be positive and successful. For inquiries, please contact me at: www.spadecallerart.com
At eight years old in the late 50’s, I started private training in traditional oil techniques. To this day, I owe my appreciation to my mother, who has since passed away. Through considerable personal sacrifice, she nurtured my artistic talent and provided me with the tools and circumstances to begin my creative journey - the journey that I still follow. I cherish the memories of the art exhibits and museums that we visited in Manhattan. I later attended The School of Visual Arts in New York City (1970-71). During the 70's and up until the late 80's, I exhibited acrylic and oils in Montreal and New York. Presently, I reside in Florida with my loving wife, who I've been married to for thirty years. Due to the onset of chronic illness in the late nineties and with the advent of image editing software, I turned to creating digital hand painted images and photographic art - fusing these into an art form worthy of the same gratification that I had once found in oils. - Spadecaller (Matt Schwartz)