Description'Evil is neither suffering nor sin; it is both at the same time, it is something common to them both. For they are linked together; sin makes us suffer and suffering makes us evil, and this indissoluble complex of suffering and sin is the evil in which we are submerged against our will, and to our horror.' - Simone Weil
'Is god willing to prevent evil but not able? Then he is not omnipotent. Is he able but not willing? Then he is malevolent. Is he both able and willing? Then whence cometh evil? Is he neither able nor willing? Then why call him god?' - Epicurus
'We must develop and maintain the capacity to forgive. He who is devoid of the power to forgive is devoid of the power to love. There is some good in the worst of us and some evil in the best of us. When we discover this, we are less prone to hate our enemies.' - Martin Luther King, Jr.
'At least two thirds of our miseries spring from human stupidity, human malice and those great motivators and justifiers of malice and stupidity, idealism, dogmatism and proselytizing zeal on behalf of religious or political idols.' - Aldous Huxley
Thomas Broadfoot III Art BySilent Fine Digital Artist
As a self-taught digital artist, I thrive on interpreting my ideas about our world and other worlds beyond, mixing reality and mystery by using tools of the 21st century to create art. My work has been influenced by my love of sci-fi stories, history, politics, science, and current events. While many of the landscapes appear to be photo-realistic, there are no photos used in creating the scenes. Among some of my greatest joys is the opportunity to create images that exist nowhere on this planet but within my own mind. Technology allows me to emulate traditional art media and techniques through several computer applications to create textures and shapes. I'm able to create and then assemble objects, skies, and terrains in the 3D graphics application, Vue.
Most of my images begin on a blank electronic canvas and expand layer upon layer. By creating my own vegetation, atmospheres, and terrains, I can then combine them into a myriad of land or seascapes. Just as any artist does, I pay particular attention to composition, color palette, lighting, and perspective. Every day I have dedicated time to creating art. I also keep up with new techniques via industry periodicals and internet research.
While my landscapes often remind viewers of places they recall, there is something intentionally otherworldly in the work. Collectors of my work appreciate it for its style, color, and textural appeal.
My current work investigates environmental devastation through surrealistic landscapes.