Description 'Most architects say: I want to use this type of glass, even if it's too reflective or doesn't let enough light in. However, the use of a certain type of glass might change the comfort level.' - Helmut Jahn
'We should recognize that on the day that we are born, our glass is half full. In America your chance to fill your glass the rest of the way up is greater than it is anyplace else on this planet.' - Steve King
'Students of American glass must always keep in mind that the creations they collect are truly examples of our American culture... and thus have historical significance.' - James Lafferty Original: 48'h x 36'w ink on Acrylic Skin: $864. Contact the artist for any information, pricing or shipping details. For sale by artist, please contact directly to purchase original Digi-Origi? works or Limited editions. 2004-2010 All Rights Reserved Art BySilent? Studio. Permission not implied nor given to use any work copyrighted by Art BySilent? Studio unless expressly given by Art BySilent? Studio.
Thomas Broadfoot III Art BySilent Fine Digital Artist
As a self-taught digital artist, I thrive on interpreting my ideas about our world and other worlds beyond, mixing reality and mystery by using tools of the 21st century to create art. My work has been influenced by my love of sci-fi stories, history, politics, science, and current events. While many of the landscapes appear to be photo-realistic, there are no photos used in creating the scenes. Among some of my greatest joys is the opportunity to create images that exist nowhere on this planet but within my own mind. Technology allows me to emulate traditional art media and techniques through several computer applications to create textures and shapes. I'm able to create and then assemble objects, skies, and terrains in the 3D graphics application, Vue.
Most of my images begin on a blank electronic canvas and expand layer upon layer. By creating my own vegetation, atmospheres, and terrains, I can then combine them into a myriad of land or seascapes. Just as any artist does, I pay particular attention to composition, color palette, lighting, and perspective. Every day I have dedicated time to creating art. I also keep up with new techniques via industry periodicals and internet research.
While my landscapes often remind viewers of places they recall, there is something intentionally otherworldly in the work. Collectors of my work appreciate it for its style, color, and textural appeal.
My current work investigates environmental devastation through surrealistic landscapes.