Description Told in the tradition of African storytelling, Ayi Kwei Armah's novel, 'Two Thousand Seasons', is the history of African people's dominance in the world, the decline from that earlier stature and their eventual resurrection over a two thousand years cycle. Except for the prophetic resurrection of African people in the world, the fable closely resembles the classic history rendering of Chancellor Williams' 'The Destruction of Black Civilization; Great Issues of a Race From 4500BC To 2000AD'.
My art work focuses on that part of the African fable that tells of the resurrection -- the 2000th Season.
'2000th Season' (18'x24', Color Pencil on Paper) is included in the Africans In America Series.
Kenneth Dames, St Augustine Florida Member Since December 2006 Artist Statement Dr. Kenneth Dames is a New York State licensed doctor of clinical psychology and an artist of 25 years. After leaving New York City’s School of Visual Arts, Ken continued to develop his art while living in the Dominican Republic. There his drawings gained national artistic recognition when he became the first foreigner to win the prestigious Philip Morris Corporation National Art Contest. Ken’s art remains a permanent part of the Corporation’s National Cultural Center and Museum of the Dominican Republic.
Through the years Ken has participated in expositions and shows in New York City, Philadelphia, Miami, St Louis, and the Dominican Republic, while being represented by the Bratton Gallery of Soho in New York City. He is a member of the Colored Pencil Society of America and the National Association of Independent Artists.
“The human form is visual theatre. The human drama, with its full spectrum of emotions, can be witnessed in the lines, postures and movements of the body. We all reflect and instinctively react to its visual expressions. Perhaps it is for this reason that the human body occupies a central place in every form of art. This is to differentiate between the simple reproduction of the human body in art and the use of the human body as emotional expression in art.
“My perception of the human form as theatre, as visual expression, comes to me naturally and is something I have spent two professional careers articulating. It is basic to my art. Come, let me share it with you.”