Description NohFrom Wikipedia, the free encyclopediaNoh (, N?), or Nogaku (, Ngaku?) is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh performance day lasts all day and consists of five Noh plays interspersed with shorter, humorous kygen pieces. However, present-day Noh performances consist of two Noh plays with one Kygen play in between.While the field of Noh performance is extremely codified, and regulated by the iemoto system, with an emphasis on tradition rather than innovation, some performers do compose new plays or revive historical ones that are not a part of the standard repertoire. Works blending Noh with other theatrical traditions have also been produced.Masks Three pictures of the same female mask showing how the expression changes with a tilting of the head. The mask was afixed to a wall with constant lighting, and only the camera moved. Noh mask of an old womanThe masks in Noh ( n-men or omote, feature) all have names. They are made out of materials such as clay, dry lacquer, cloth, paper, and wood.Usually only the shite, the main actor, wears a mask. However, in some cases, the tsure may also wear a mask, particularly for female roles. The Noh masks portray female or nonhuman (divine, demonic, or animal) characters. There are also Noh masks to represent youngsters or old men. On the other hand, a Noh actor who wears no mask plays a role of an adult man in his twenties, thirties, or forties. The side player, the waki, wears no mask either.Several types of masks, in particular those for female roles, are designed so that slight adjustments in the position of the head can express a number emotions such as fear or sadness due to the variance in lighting and the angle shown towards the audience. With some of the more extravagant masks for deities and monsters, however, it is not always po
Tammera Malicki-Wong, Sacramento California Member Since January 2011 Artist Statement I WAS BORN IN RENO NEVADA. I HAD MY FIRST DESIRE TO BE AN ARTIST AT THE AGE OF 4. MY UNCLE WAS COLORING WITH ME IN MY COLORING BOOK AND I REMEMBER THINKING IT WAS SOME KIND OF MAGIC HOW HE COULD BLEND COLORS SO GENTLY OR HARSHLY TO GET DIFFERENT LOOKS TO HIS PICTURES, AND I DEEPLY DESIRED TO BE ABLE TO DO THE SAME.
I BEGAN DOING ‘REAL ’ ARTWORK AT THE AGE OF 13, ENCOURAGED BY THE ART TEACHER AT MY JUNIOR HIGH, TO COME AFTER SCHOOL AND PAINT IF I WISHED SINCE WE 7TH GRADERS WEREN’T ALLOWED ELECTIVES UNTIL 8TH GRADE. SHE SAW ME HOVERING ROUND THE CLASSROOM ALL THE TIME AND WAS GENEROUS ENOUGH TO STAY LATE SO I COULD PAINT.
THE VERY FIRST MEDIA I LEARNED WAS OILS. I CONTINUED ART COURSES ALL THROUGH HIGH SCHOOL, ALONG WITH DRAFTING. I ENTERED THE ACADEMY OF ART IN SAN FRANCISCO AFTER HIGH SCHOOL TO CONTINUE STUDYING ART.
LATER WAS MARRIED AND HAD MY 3 CHILDREN AND CHOSE TO BE A STAY AT HOME MOM, AND TO BRING IN EXTRA MONEY RAN AN IN-HOME DAYCARE, WHICH LEFT, BASICALLY, NO TIME FOR ART. ALTHOUGH I DID MANAGE TO DO SOME ORIGINAL T-SHIRTS AND SELL THEM LOCALLY AND I DID A 3 WALL MURAL IN MY CHILDREN’S ROOM AND ANOTHER 12 FOOT BY 12 FOOT MURAL IN MY LIVING ROOM.
WHEN THE CHILDREN WERE GROWN ENOUGH, I RE-ATTENDED SCHOOL.AT MTI IN SACRAMENTO I TOOK COMPUTER AND ART CLASSES. THEN I RE-ENTERED THE WORK ARENA,
I WORKED AT SMW COMMUNICATIONS AS A PRODUCTION ASSISTANT. WHILE THERE I DID BOTH COMPUTER LAYOUT AND TRADITIONAL LAYOUT, AS COMPUTER GRAPHICS WERE STILL IN THEIR INFANCY
BOTH NEW AND OLD METHODS WERE EMPLOYED, I CUT RUBYLITHS AND OTHER TRADITIONAL PASTE-UPS, AS WELL AS DID LAYOUT IN PAGEMAKER. I WAS IN CHARGE OF ALL THE PRODUCTION ASPECTS OF 2 MAGAZINES, ‘DANCE TEACHER NOW’ AND ‘STAGE’. AN INTERNATIONAL BALLET MAGAZINE AND A LOCAL AND NATIONAL THEATRE MAGAZINE.
SMW SOON MOVED TO NORTH CAROLINA AND I FOUND A NEW HOME AT CALIFORNIA MANUFACTURERS ASSOCIATIION AS THE COMMUNICATIONS ASSISTANT/ART DIRECTOR.
WHILE I WAS THERE, I WORE ANY HAT THAT FIT. I WAS IN CHARGE OF ALL ASPECTS REGARDING DESIGN, PRODUCTION, LAYOUT AND OVERSEEING PRINT OF A BI-MONTHLY NEWSLETTER AND A MONTHLY MAGAZINE AS WELL AS ANY OTHER MATERIALS THAT NEEDED PRINTING…. BUSINESS CARDS, INVITATIONS, SEMINARS, EVENTS, ADVERTISEMENTS ET. AL.
WHILE AT CALIFORNIA MANUFACTURERS ASSOCIATION I WAS DIAGNOSED WITH 2 IMMUNE DYSFUNCTIONS, AND WAS FORCED TO STOP WORK. FOR A PERIOD OF NEALY 2 YEARS I WAS BED-BOUND. I CONTINUE TO HAVE THE ILLNESS, AND SO THIS IS A PERFECT WAY FOR ME TO BE ABLE TO SELL MY WORK AND MAKE A BIT OF MONEY AND YET NOT STRESS MYSELF TOO MUCH. AND SO HERE I AM.
I AM CURRENTLY DOING MAINLY DIGITAL ART USING PHOTOSHOP. I AM 100% SELF TAUGHT USING PHOTOSHOP. IT IS A WHOLE NEW DIMENSION OF ART THAT I AM EXCITED ABOUT RIGHT NOW.
I HOPE YOU WILL ENJOY LOOKING AT MY ARTWORK AND PASS ALONG THE INFO TO OTHERS, SO THEY TOO CAN TAKE A PEEK!! THANK YOU. TAMMERA