Description A house of intimacy and of pleasure, the building was designed to require as little interaction between guests and servants as possible. To that end, the table in the salles manger was conceived to be mobile, mechanically lowered and raised through the floorboards so that the servants below could set places sight unseen. The tables were never built, but the delineation for the mechanical apparatus can still be seen from the foundation.Within the queen's apartment, one discerns Marie Antoinette's incessant need for privacy: the decor of her boudoir displays an inventiveness unique to the age, featuring mirrored panels that, by the simple turning of a crank, can be raised or lowered to obscure the windows. Her bedroom, although simple, is also elegant, provided with furniture from Georges Jacob and Jean Henri Riesener. The wallpaper was painted by Jean-Baptiste Pillement.